Orchestre National Avignon-Provence
Debora Waldman, a woman conductor for a National Orchestra
20 Women of the year – Debora Waldman : she revolutionizes classical music
Le Figaro Madame – 6-17 October 2020
It was not until 2020 that a woman was finally appointed to the musical direction of a permanent orchestra in France!
Diapason – October 2020
Debora Waldman: finally a conductor to direct a professional orchestra that she did not found!
Télérama – 5-11 September 2020
The early days of the conductor Debora Waldman – “Transmitting music, making it accessible to all, that’s her mission (..)”
Vaucluse matin – 3rd September 2020
Debora Waldman at the head of the Orchester Régional Avignon-Provence.
Appointed in July 2019, Debora Waldman will officially take up her duties as musical director of the Orchestre Régional Avignon-Provence next Tuesday. The Israeli-Brazilian conductor will become the first woman to take up such a post in France.
Forever the first!
Debora Waldman at the Orchester Régional Avignon-Provence: stronger regional roots.
Appointed to the musical direction as conductor of the Orchestre d’Avignon-Provence, Debora Waldman will officially take up her duties next September for a period of 3 years. Debora Waldman is also the first permanent female conductor in France.
A breath of hope for societal parities that is needed and opens the way for new generations.
The Orchestre Régional Avignon-Provence announces the appointment of Debora Waldman as its next music director, the first female conductor to be named to the post, effective 1 September 2020, with an initial contract of 3 years.
“Demandez à Clara”: the digital base that reveals the gems of music composed by women.
She achieved, from beginning to end, an unsuspected power from the podium : a shared intensity where each musician seemed to be listening to each other.
In addition to the dense and rich fullness of the orchestral texture, Debora Waldman seemed eager to show motion, favoring, for example, flashes of twilight of a score infinitely less decorative, so to speak (superb colors of the “night” in the style of Midsummer Night’s Dream in the third movement, with the horns perfectly placed in the repeat) …
In the final Presto, the gesture was vibrant and yet efficient, arriving to its blazing climax with the famous saltarello, a musical fever (Neapolitan Tarentella) which the young woman knew how to communicate to the entire orchestra and the public, touched by her captivating grace. It was a memorable evening.
Mendelssohn 4th Symphony
It’s impossible not to note the conscientious work made by the conductor Debora Waldman. With a clear and precise gestic, Waldman guaranteed vitality and energy that the musical situations of this opera require, and ensured cohesion between the Academic Orchestra and the singers, even with very few rehearsals.
“Gazeta Mercantil” (Brazil)
Rita by Donizetti
Dynamism and grace in Rita, comic opera of Donizetti. A production based on the quality of the distribution and the direction of Debora Waldman
The good performance of the three singers was echoed the solidity of the direction of Debora Waldman, a young conductor born in São Paulo, who studied in Israel and Argentina, today assistant of Kurt Masur in France. In her hands, the Academic Orchestra obtained a very good result. The spectacle culminates in the brilliant finale ”Ma tu dei la mia ricetta”
O Estado de São Paulo (Brazil)