Symphony n.1 Louise Farrenc - Débora Waldman's proximity to her orchestra allows for perfect balance, precision of attack and release of energy.

Augusta Holmes, Nuit et Amour - A piece that reveals the fluid and very expressive direction of Débora Waldman, and a quality of the orchestra that knows how to bring out all the palettes of timbres with a beautiful balance.

At 45, the musical director of the Orchestre national Avignon-Provence will conduct the 30th anniversary of the Victories de la Musique Classique that will take place on March 1st in Dijon and live on France 3 and France Musique.

Currently at the head of the Orchestre d'Avignon-Provence, Debora Waldman is the first woman appointed to a permanent position in France. The Israeli-Argentine leader is convinced of the power of music to transform human beings. Interview.

Débora Waldman defends the work as if she had written it, mimicking all the departures, precise in her clear gesture: a style model for sparkling music, rich as one could wish. Another big congratulations to all the artisans of this extraordinary rediscovery….

Débora Waldman is, as usual, (very) lively and attentive, precisely measuring out the materials, subtly accompanying instrumental and vocal soloists for the best of a precisely resuscitated music.

She delivers an incredible music where parity and inclusion make harmony

Maestra Débora Waldman conducts Stiffelio in Dijon.

The direction of Débora Waldman, precise, demanding, always concerned about everyone, has earned us an exemplary Verdi, powerful as well as intimate, restrained as feverish or violent. Blurring the dross of writing, dated, for lighter textures, where each instrument flourishes, in expressive phrasing, the conductor confirms her lyrical talents.

Diamond disc by Opéra Magazine.

A 5 star CD.